MAGNAV Emirates

Sudipa Roy

Desert After Dark, Uae Residents Celebrate Winter Nightlife

Desert After Dark, Uae Residents Celebrate Winter Nightlife

Desert After Dark, Uae Residents Celebrate Winter Nightlife By Sudipa Roy Fashion in Dubai moves with a pace that mirrors the city itself, restless, ambitious, always reaching forward. Yet within this constant motion, a few creators choose a quieter rhythm. They design from emotion rather than urgency and shape relevance instead of chasing it. Among these rare visionaries is Chathuri Samaraweera, the founder and creative director of ANAYA, a brand rooted not merely in fabric and form but in memory, introspection, and the belief that a woman’s inner world is the most powerful source of design. ANAYA emerged quietly and intuitively, yet today it carries one of the most distinct identities in the Middle Eastern fashion landscape. Its creations are soft yet defined, timeless yet modern, intimate yet global. At the center of it stands a woman who views fashion not as an industry to keep up with, but as an art form to feel. Chathuri’s story begins long before she ever touched chiffon or sculpted satin. Her childhood unfolded inside her father’s art gallery, a place where towering sculptures, textured canvases, paintbrushes, and palettes formed the backdrop of her earliest memories. While other children played with toys, she absorbed colors, shapes, shadows, and the emotional pulse of artwork. Art was not just a profession in the family, it was the air she breathed. The brand’s name came years later, inspired by her daughter, ANAYA, a tribute not born from strategy but from love, symbolizing the emotional continuity passed down from her father to her, and now from her to her child. This sense of meaning shapes every decision within the brand. To Chathuri, ANAYA began with a simple vision, to celebrate the strength and softness within every woman and create pieces that feel like an extension of her inner light. That intention remains the brand’s guiding force. ANAYA’s signature lies in its devotion to emotion before structure. Chathuri designs as though fashion is a language for translating feeling into silhouette. She does not pursue trends or the fleeting aesthetics of social media, instead, she draws from lived moments, quiet memories, underwater stillness, architectural forms, and the subtle poetry of nature. She speaks often of the organic curves of Gaudí’s designs, the shadows that dance across textured stone, the peaceful hum of the Balearic Islands, the slow sway of Posidonia beneath the sea’s surface, and the cultural textures she discovers through travel. For her, inspiration is a sensory imprint that lingers until it takes shape in fabric. This approach gives ANAYA its unmistakable softness, a softness that is not fragile, but confidently feminine. In Dubai’s competitive fashion scene, many struggle to balance couture artistry with practical ready-to-wear, yet ANAYA has found harmony between the two. The key lies in its understanding of luxury. For Chathuri, luxury isn’t defined by extravagance but by intention. Whether a gown requires hundreds of hours of handwork or a ready-to-wear piece is sculpted with clean minimalism, the craftsmanship holds the same devotion. ANAYA’s lines may simplify, but its artistry does not. Subtle architecture, refined detailing, and intentional cuts shape pieces that are both wearable and poetic, allowing the brand to remain accessible without compromising its couture soul. Dubai Design District serves as ANAYA’s creative home, a place where art, fashion, architecture, and innovation intertwine. The multicultural energy of D3 mirrors the identity of the brand, hybrid, evolving, and globally attuned. The environment pushes the brand creatively and strategically, offering exposure to international markets and collaborative opportunities. From this district, ANAYA has grown from a local label into a name recognized across the global fashion world. Sustainability runs through the brand like a quiet but unbreakable thread. ANAYA embraces sustainability not as marketing but as responsibility. Made-to-order processes reduce waste, local artisans preserve and advance craftsmanship, high-quality materials ensure longevity, and designs are created to outlive seasons and trends. Couture itself is a practice in slow, intentional creation, and ANAYA leans deeply into that philosophy. Movement inspires much of Chathuri’s design process. She is drawn to fluidity, the shifting of ocean waves, the gentle dance of marine plants, the shimmer of light across water, the way fabric can echo breath. Many of ANAYA’s gowns appear to float, their layers lifting like currents, their embellishments shimmering softly rather than shining sharply. The Balearic Dreaming collection captures this most vividly. Born from hours spent underwater watching Posidonia sway in perfect silence, it embodies the serenity and poetry of the natural world. While ANAYA’s ready-to-wear pieces expand the brand’s reach, its bespoke creations reveal its soul. Chathuri approaches custom design as a dialogue. Rather than beginning with sketches, she begins with conversation, who the woman is, what she loves, how she wants to feel. The design then evolves through sketches, fittings, and sculpted adjustments until the final piece reflects both the client’s identity and ANAYA’s aesthetic. For Chathuri, the ultimate success of a custom gown lies in honoring the woman’s story. When a client sees her truest self reflected in the finished creation, the process becomes a deeply emotional connection. As global attention increasingly turns toward Middle Eastern designers, ANAYA stands at the forefront of this cultural moment. Chathuri’s work carries the region’s grace, softness, and femininity, fused with the structure of European couture and a universal contemporary appeal. With participation in Paris Fashion Week and a growing international clientele, ANAYA demonstrates that Middle Eastern fashion can be both rooted in cultural sensitivity and boldly global. Even as technology evolves within the fashion world, AI-driven designs, virtual fittings, automated pattern systems, Chathuri maintains a devotion to human connection. She still sketches by hand and shapes fabric physically, trusting that no algorithm can replicate the emotional intuition required in couture. Technology supports the brand, but it never replaces the artist’s touch. Each woman wears a garment differently, and understanding that requires presence, observation, and empathy. The horizon for ANAYA is expanding. The brand is moving toward global stockists across Europe, Asia, and the Middle East. Discussions for celebrity partnerships are

A New Dawn for Women’s Cricket, India’s World Cup 2025 Triumph Redefines the Game in South Asia

A New Dawn for Women’s Cricket, India’s World Cup 2025 Triumph Redefines the Game in South Asia

A New Dawn for Women’s Cricket, India’s World Cup 2025 Triumph Redefines the Game in South Asia By Sudipa Roy When the final ball was bowled and India’s women lifted the World Cup trophy, it wasn’t merely a win,  it was the rewriting of the sport’s narrative. Under the floodlights, the cheers that rolled across the stadium weren’t only for a team that conquered the world; they were for every young girl across South Asia who finally saw herself reflected in that moment of triumph. For decades, women’s cricket has struggled to step out from the long shadow cast by the men’s game, often underfunded, underwatched, and undervalued. The story of dominance belonged mostly to two nations: England and Australia. They had the systems, visibility, and resources that few others could match. But with India’s victory, the script has changed,  the sport’s center of gravity has shifted eastward. This triumph is about far more than cricket; it’s about identity, visibility, and belief. India’s success sends a lucid message that women’s cricket can thrive beyond its traditional powerhouses. It has awakened a region that has always loved cricket but often hesitated to imagine women at the heart of it. Across South Asia, from the narrow lanes of Dhaka to the cricket fields of Lahore and the coastal towns of Colombo,  girls will now dream differently. They’ll recognize their own potential mirrored in the Indian team’s rise: that discipline and belief can overcome both social and geographic boundaries. Statistics tell their own story. Broadcasters reported record-breaking viewership, with over 150 million fans tuning in across South Asia, and social media engagement reaching unprecedented levels. Sponsors that once hesitated are now lining up to collaborate with women cricketers, seeing both social and commercial value in supporting the women’s game. As Smriti Mandhana said after the final, “This isn’t just our win,  it’s a victory for every girl who ever picked up a bat believing she could change something.” For years, women’s cricket in the region has battled for investment, airtime, and legitimacy. India’s win brings not just pride but proof,  proof that when women are given the same quality of training, facilities, and recognition as their male counterparts, they can compete and win at the highest levels. It’s a compelling argument for structural reform and the professionalization of women’s cricket across South Asia. Personally, I’m extremely elated that the women’s World Cup will finally be taken seriously, not as a symbolic event, but as a defining moment for the sport’s global future. It’s not just about trophies anymore; it’s about redefining opportunity and rewriting what ambition looks like for millions of young girls. The ripple effect is already visible. In schools, academies, and even small-town clubs, girls are signing up in record numbers. Coaches are adjusting programs, and cricket boards are taking notice. The conversation has shifted,  young athletes are no longer being called “female cricketers,” but simply “cricketers.” That subtle linguistic change signals a deeper cultural transformation. This moment also honors the generations of players who carried the sport quietly, often without reward or spotlight. Their perseverance laid the foundation for today’s triumph. And now, with the trophy in their hands, the Indian women have achieved something extraordinary, they’ve made the cricketing world look eastward, towards South Asia, as the new epicenter of the women’s game. As celebrations continue, one thing feels certain: this victory is not the end of a journey, but the beginning of an era,  an era defined not by gender or geography, but by passion, resilience, and the shared heartbeat of a billion fans. Somewhere, in a schoolyard in Karachi or a hillside town in Nepal, a young girl grips a bat for the first time,  because now, she truly believes she could be next.