Aanand L. Rai, Dhanush, Prakash Raj, Kriti Sanon, And A.R. Rahman Breathe New Life Into Long-Perished Indian Cinema With Tere Ishk Mein
By Riz Z bhutta
Review
Tere Ishk Mein feels like a resurrection, a reminder of what Indian cinema can be when craft, soul, and sincerity come together.
Aanand L. Rai once again proves why he is one of the most sensitive storytellers of our time. The story feels settled, lived-in, and deeply loved. It doesn’t rush to impress; it allows emotions to breathe, linger, and stay with you. This is not just a love story, it is something you feel, long after the screen fades to black.
Dhanush rises effortlessly above the noise of stardom. There is a raw honesty in his performance that few actors, Bollywood or otherwise, can match. He doesn’t perform the character; he becomes it. Prakash Raj delivers yet another masterclass in restraint and depth, while Kriti Sanon brings grace and emotional clarity to her role, holding her ground with quiet strength.
And then there is A.R. Rahman, creating magic in a way only he can. The music doesn’t decorate the film; it defines it. Every note feels purposeful, emotional, and timeless, elevating the narrative into something almost poetic.
The cinematography is a life, languages, and cultural textures feels organic and respectful, allowing different worlds to blend seamlessly. It’s a powerful step toward a truly pan-Indian cinematic language, without losing authenticity.
Each actor is sublime in their respective roles. No one overshadows the other; instead, they move together in harmony, serving the story above all else.
Tere Ishk Mein is not just a film, it’s a reminder. A reminder of cinema that trusts emotion over spectacle, storytelling over shortcuts.
A masterpiece, in the truest sense of the word.
